I’ve Never Been Patient In My Whole Life…

…That is, unless I’m inside an airconditioned room. Y’know, airconditioning calms me down a whole lot, so it helps if you store me in a room airconditioned. Wow, with a blanket, a bed and a pillow, I can sleep ’till the world ends. Y’kay, I might be exaggerating, but srsly, I can sleep a long time in an airconditioned room.

So okay, I broke my promise about the whole ‘reviews’ thing, but really, life has never really been so eventful. I’m way too lazy.

 

PHAIL.

As I promised, I’m supposed to be spewing out a few reviews for those music CDs I’ve been listening to lately. Well, due to the universally hated writer’s block, I only succeeded in writing two reviews. I’m still thinking about writing a few more reviews or just posting nonsense about my life and everything else. I’m working on this post using a laptop, and I believe it’s less convenient than the desktop (other than the fact that you can carry these laptops anywhere and everywhere). Hmmm… maybe that’s ’cause I’ve lived with a desktop my whole life. And, oh yeah, the bright monitor of the laptop is currently burning my eyes, so there.

 

I’ve  been trying to pull myself together and write a song, but I failed. Either I was too lazy to do or I just really can’t find the proper scale on the guitar to match my voice. Yes, I may be able to read chords, tabs, whatnot, do the slide, the hammer-ons and everything and even get my strumming right, but other than that, I’m a total guitar noob. I can’t get the plucking pattern on Good Riddance (Time of Your Life). I suppose the song is simple. I didn’t really take formal guitar lessons, so in fairness, I’m pretty good.

 

Oh well. Later…. If I get everything right.

 

A Beautiful Lie ;; 30 Seconds to Mars

A Beautiful Lie

30 Seconds to Mars ;; 2005 (US) 2007 (UK)

I never bothered listening to the whole of 30 Seconds to Mars’s debut album, because I just wasn’t into the musical direction of the record. A Beautiful Lie, though, is different. I found it easier to listen to because it was just… likeable. The majority of the tracks aren’t special though, and I found myself skipping from one track to the next just to get a listen to my favorites (released as singles off the album).

Maybe it’s just me, but I found the album generally to be weak, mainly because of Jared Leto’s less-than-endearing vocals. But to his credit, there is a good amount of effort put into each and every track, and that’s pretty admirable. A Beautiful Lie, though far from perfect, is a good album. And if you’re patient enough and you don’t really care how the vocals sound like as long the music is pretty nice, you’ll find a gem in this.

I must say, the singles are well-picked. Three of the singles are my favorites on the album (excluding the title track, A Beautiful Lie, because it really didn’t have that “wow” factor). If you don’t mind spending your money on an album with few worthwhile tracks, then the record won’t disappoint. Attack, The Kill and From Yesterday are all great, and makes you have that soaring feeling as if you’re standing atop a really high Ancient Chinese structure and feeling the wind. R-Evolve and The Story are pretty nice, too. The Fantasy was a letdown, because it consisted mostly of some sort of “loud whispering”, and A Modern Myth’s repeating lyrics (“goodbye, goodbye, goodbye, goodbye, goodbye…”) are a waste, considering that the instruments were excellent.

I don’t have a lot to say about A Beautiful Lie, but one thing’s for sure: Jared Leto and the rest of the band members have a lot to improve on. And this is definitely a good thing.

 

All We Know Is Falling ;; Paramore

All We Know Is Falling

Paramore ;; 2005

I’ve always seen debut albums as the best record a band could ever release. These are perfect examples of just how fresh, how new and how filled with potential a band can be. And All We Know Is Falling, Paramore’s incredible debut, is a perfect example.

As opposed to Riot!, All We Know is a lot more rock-inclined. Riot! had a mixture of pop and rock tunes, which could appeal to fans of either genre, but it didn’t have the impact that the debut had successfully given me.

All We Know is considerably shorter than Riot!, and that may be because Paramore was just starting out then, and had been affected by Jeremy Davis’ leaving of the band (rejoining them later in Paramore’s career, but losing Jason Bynum in the process). But really, All We Know doesn’t need two, three, four or even six more tracks (although that could’ve helped the record, seeing that it’s only about thirty-six minutes long) to lengthen it’s appeal, but the ten-track album is just right and easy to listen to.  Plus, it’s only a short album, so those who don’t have the patience to listen to ridiculously records are in for a treat – All We Know Is Falling is filled with clever lyrics, great guitar and drumwork, formidable bass lines and sharp vocals squeezed into one little package.

Listening to the album, I found the first track (All We Know) a bit loud and angst-filled for an opening. Usually, those with intros that burn in my mind are my style, so it wasn’t really special, but still impressive. Fortunately for me (and maybe for a million other listeners out there), the following songs are more than special. Hayley Williams’ ear-catching vocals are like several scoops of ice cream on a hot summer’s day – refreshing, revitalizing, and definitely a stand-out from all the other thick, low-registered male voices.  From the first single, Pressure, to the catchier Here We Go Again and even the fan-favorite My Heart, she exceeds all expectations and proves that girls can equal (and maybe do even better) than boys.

Halfway through the album, I’ve come to a realization – Paramore is unlike any other band out there. I never was the one to be patient and listen to girls trying their best to blend their soft little voices with the loud, rock-out sounds of the electric guitar and the bass guitar. Often, it irritates me that they do so. But Paramore seems to know what they’re doing – from chords, to drums, everything. I didn’t see anything wrong in the record. Absolutely nothing. And I didn’t skip a track of it (another thing different from Riot!).

All We Know Is Falling, if summed up in one word, is amazing. Starts out to be guitar and drum-heavy with angsty and nicely-crafted lyrics, and ends with heart-tugging rock ballads complete with background screaming.  A lot of people have already said that there’s a lot of time for Paramore to improve, considering their age and the years they’re active. But personally, improvement isn’t really what I’m looking for. All We Know Is Falling is like “first love never dies”, and I’m only looking for Paramore to expand on their effort and bring out a new record as amazing as (or maybe even more than) the debut.

 

So…

So, it’s a Saturday. And usually, on Saturdays, I don’t have anything to do. And when I don’t have anything to do, I stay in my room and listen to music.  There. I think I’m well-equipped to review four albums that I’ve listened to. They’ll be written in separate blog entries.

 

Howdy!

Well, howdy-doo!

I’m Silverlake from KHQ, The Fragile Capricorn from FanFiction.net and I made this blog just for fun… or something. I like to write reviews about stuff, specifically music reviews and some game reviews (but I stopped writing game reviews ‘cuz my gaming life is going downhill). And so, expect nothing more from me than reviews and opinions and stuff. Well, that’s all for today.